2,224 Royalty-Free Audio Tracks for "G Sharp Minor"

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

G major chord, root in red.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

Sharpened subdominant with diminished seventh chord in C.

Chopin - Nokturn Fis-dur op. 15 nr 2Chopin - Nocturne in F sharp major, Op. 15, no. 2

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

This is a loop created using fm8, serum and battery. Not completely sure what genre to class this sloop as but gone for electro. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Hendrix chord.

G7alt chord.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Minor seventh chord on e iii7 in C.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Created by Hyacinth (talk) 18:38, 11 December 2011 (UTC) using Sibelius. Pentatonic scale used in Ravel's (1875–1937) Ma mère l'oye (1910) III. Laideronnette, impératrice des pagodes. Source: Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.37. Seventh Edition. ISBN 978-0-07-294262-0.

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Ditonic scale on G.

Scarlatti Sonasta K319, bars 62-80

Ogg Vorbis sound file of C Harmonic Minor

The "bad guy" or "curse" motif familiar from all over the place.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

Minor major seventh chord on C.